It wasn't so much that I studied Ramon Santiago's work, but rather that we shared very similar artistic styles and interests—especially the female anatomy.

The connection between us existed on many different levels. We were both from Rochester, New York, and both attended East Ridge High School, although at different times. I even had the privilege of exhibiting my work in his studio at the Hungerford Building during a silent auction supporting military veterans. My painting, "Hero Eagle," was displayed alongside Ramon's "Salute to the Troops." Both pieces were well received and performed very well.

The connection went even deeper.

A close friend of mine—let's call him Tony—had arranged a project with Ramon to produce a new piece, I believe it was called "Sabrina." Tony was financing the project with the intention of producing a series of prints and posters.

When Tony went to meet Ramon at a pub on Park Avenue, I tagged along. After meeting him, we went upstairs to his apartment to see the progress he had made on the painting.

During our conversation, I told him how much I admired his work. I also shared that I was an aspiring artist and asked if he would be willing to offer his opinion and help me develop my own artistic abilities.

He was incredibly gracious.

Ramon gave me a few lessons and exercises to practice. I believe they helped me tremendously and gave me greater confidence as an artist.

So, with all that being said, if people see similarities between my work and Ramon Santiago's—as many have suggested—it isn't because I consciously studied or copied his work. I never did.

Rather, I believe our similarities came from our shared background, our common interests, and the brief but meaningful mentorship he offered me.

For that, I will always be grateful.

May he rest in peace.